That’s a great thought — and you’re not wrong.
Having MetaGrid appear inside Cubase like a native device (similar to EuCon), where macros, scene links and mappings live at the DAW level, would absolutely streamline complex setups. It would reduce dependency on long macro chains and remove some of the keyboard-shortcut gymnastics.
But here’s the straight reality:
EuCon-level integration exists because it’s built on deep DAW-side APIs. MetaGrid operates externally — at the command and MIDI layer. Turning it into a Cubase-native device isn’t a small feature request — it’s essentially building a full Cubase integration layer from the ground up.
That said, your frustration is valid — especially when scenes start running out and macros become layered and hard to maintain. That’s usually a sign the workflow architecture needs restructuring rather than adding more macros on top.
On the Generic Remote → MIDI Remote concern:
Yes, Generic Remote is legacy. MIDI Remote is the future.
The key thing is this: you shouldn’t be building everything twice.
The clean long-term structure looks like this:
• MIDI Remote → parameter mapping and bidirectional controls
• MetaGrid → workflow logic, layout, navigation, command orchestration
If those roles are separated properly, they complement each other rather than duplicate work.
Long term, the real opportunity isn’t “MetaGrid as a EuCon clone.”
It’s tighter interoperability — potentially generating or syncing with MIDI Remote structures so you don’t have to rebuild logic in two places.
That’s the strategic direction that makes sense — deeper integration without turning MetaGrid into a hardware driver project.
If you’d like, tell me how you’re currently structuring your scenes and macros — there’s usually a cleaner way to organize things that reduces macro sprawl dramatically.